Last week, I announced the launch of the Cairo Photo Tours, part of a new and active group of companies based here in Cairo Egypt, and it has been fascinating watching on Woopra where the interest, responses and traffic has come from. If you don’t know about Woopra, you must. It is totally addictive!

With the launch of the Group, The Photo School and the Photo Tours, as well as the Focus For Humanity Foundation, some of the detail about the Nile Photo workshop with Matt Brandon that was also announced, may have been a bit suppressed, so forgive me if I soap-box for a minute and share with you again why we think this is such an unusual workshop and why you should come on it. In fact in some difficult to justify self-promotion, you can watch Matt and me chat about it in the short video clip below too:

What marks this workshop out are 5 main differences and in no particular order these are:

1. There are currently no other photo workshops that are run in Egypt, which despite the challenging bureaucracy here, surprises me. The weather is always good here (sometime a little too hot if you had read some of my earlier posts from the planning trip!), and in October – when we are doing the workshop – the temperature is a very comfortable 34-36 degrees Celsius in the day and high 20C in the evening. But what marks Egypt out, as a really wonderful workshop location, is the extra-ordinary wealth of cultural photography opportunities and the warmth of the Egyptians’ hospitality.

2. Secondly this is not a workshop spent in basic hotels, in guest housed or on long train journeys – not that those are bad things as they often help you immerse yourself in your environment. But on this trip we are based on a luxurious private Dahabiya- a large twin masted Sailing boat – that has no motors and therefore is in harmony with the wonderful sites and culture we will see. If the wind fails us, then a small tugboat will help us keep on schedule. The Dahabiya is in effect a luxury floating hotel – the standard of the rooms and en-suite facilities, the cleanliness of the public spaces and the kitchens were the equal of many a small luxury hotel (and arguably I should know as that is part of my other day job!). There are all mod cons including wifi, Satellite TV, laundry, free soft drinks and as far as I can work out, hot and cold running staff to cater for every eventuality. The food promises to be great, and the only potential fly in the ointment is that the boat does not have a liquor license – but worry not. I already have a cunning plan that solves that!

3. Thirdly we are mixing the traditional “must see’ locations between Luxor and Aswan such as the Valley of the Kings, Karnak Temple, The Colossus of Memnon, Edfu and Philae temples with a host of unusual, seldom visited locations. Ancient mud-brick villages, livestock markets, ruined mines and a range of different villages including the Nubian village near Aswan that completely astounded Matt and me. In this last village we will get to spend a whole day with a Nubian family – sharing their lives, building a relationship and hopefully getting a compelling photo essay into the bargain. It is this mix of formal and informal and of ancient and modern that helps to make this trip so unique. In all these places – the only exception being the Valley of the Kings where cameras are banned – we have chosen them because of the richness of cultural, landscape, street or environmental photo opportunities that they will provide.

4. Fourthly – and unusually – we have some space for partners to come along. Not many, so you need to be quick, but we are hoping that this might encourage some of you who would otherwise find it difficult to come to such a remarkable place without your beloved other, to convince them that this is finally a photo workshop that they can come on without having to play second fiddle to a camera all week! The Partner program is really a relaxed Nile cruise. In the mornings they are with us when we visit the temples, tombs and historic places. In the afternoon they are able to relax on board or explore the local town and market. Relaxing on board is pretty civilized too – endless free soft drinks, a jacuzzzi, sun loungers, books, board games and Sat TV should occupy most people! In the evenings we are all then together for dinner.

And if that was not enough to persuade you, there is also the option of a Cairo pre-extension – perhaps that should be ”pretension”! A few days soaking up the atmosphere, getting into the groove, visiting some of Cairo’s extraordinarily rich cultural opportunities. We plan to have dawn at the pyramids including a photo opportunity with a camel train; visit the camel souk (check out Matt’s superb photo essay on this); whirl with dervishes, barter in the souks, bazaars and explore the narrow streets of the Old City full of artisans and daily life.

Anyway, enough from me. Please check out the itinerary for both the main “cruise” and the “pretension”. All the details, the costs, lots of images, the prices, what to bring and how to book are over on the dedicated tour website, Cairo Photo Tours.

In the few days since we soft launched the tour, we have already sold a number of places, and several firm expressions of interest. So don’t tarry. You know you want to come. Print out the itinerary, sit down with your loved one, talk it through and then book the trip of a lifetime in October 2011 down the Nile.

A couple of weeks ago we launched Focus for Humanity – a new Not For Profit foundation that supports photographers and NGOs. This was the subject of of a previous post.. Well today the main annual Foundation grant of $15,000 was formally announced. This helps s a semi-pro photographer turn pro. You can find about more about this or how to apply at Focus for Humanity

Last week was primarily focused on work a “recce” for a Photo workshop down the Nile that Matt Brandon will be leading in October 2011. You can read all about the exciting developments in my last two posts, here , here and here.

But my real news for this week is the launch of a new photography business here in Cairo – The rather grandly named Cairo Photo Group. What we have done is to establish 4 different but interlinked companies that each focus on a much needed area of photography support here in Egypt.

The first is the Cairo Photo School We are very honored to be the first “franchisee” of Gavin Gough’s Bangkok Photo School, looking at teaching travel, street and cultural photography to expats and visitors, as well as the local Egyptians. The school focuses mainly on practical half day or one day workshops exploring Cairo and working on an individual’s requirements. This is supplemented by some classroom work on Lightroom, creative concepts and also studio lighting. Which brings me onto the second company, Cairo Photo Studio.

Cairo Photo Studio is a commercial photo studio run by an up and coming Egyptian photographer, Ramy Salem. Together Ramy and I have created a dedicated photo studio and some classrooms, filled the studio with some great lighting equipment (no mean feat getting hold of this stuff in Egypt) and are mixing the use of the studio for teaching, the rental of the studio to local photographers to explore their own ideas and the commercial use of the studio by Ramy to deliver client work in product, fashion and event photography.

The third company is Cairo Photo Tours. It seemed strange to me that no-one was offering tours or workshops to some of the amazing site and locations around Egypt, so we decided to fill the gap. With guest leaders such as David duChemin, Gavin Gough and Matt Brandon, we will be offering a series of photo tours/workshops with a difference. There will be a strong social responsibility angle to each of the tours. We will be working with local NGOs and charities (including some hopefully chaired by Egypt’s President’s wife, Suzanne Mubarak) and making some donations back into communities that we visit or spend time with.

The first of those – announced today – is an amazing tour down the Nile between Luxor and Aswan that Matt Brandon and I have been investigating.

Based on a luxurious privately chartered Dahabiya we which allows us to stop off the beaten track and explore some of the lesser known temples, ruins and villages. There full overview, some great images, the price, what to bring and how to book are on the dedicated pages on the Cairo Photo Tours site. Other tours we have planned include the Western Desert including spending time living with the Desert tribes at an Oasis, crossing the dunes by 4×4 and camping out under the stars) and the there is also the Cairo Explorer tour – a week of photo opportunities in Cairo, Alexandria and the immediate area.

Lastly we will be opening in the near future a much need service here in Cairo, Cairo Photo Services. Getting hold of camera accessories and support equipment here in Egypt is both difficult and expensive, and yet photography is one of the fastest growing hobbies within Egypt. We are thrilled to be representing both X-rite – whose product we use in the studio, the school and on the tours and THINK TANK PHOTO in Egypt. In the future we will also look to offer a simple rental service of lenses, cameras, tripods, flash accessories etc to help people try out new equipment and to have access to the right gear for special occasions.

Lots going on!

Red Shirt Demo, Bangkok

The third day of the Red Shirts protests against the Thai government was potentially the day when things would happen. The unrealistic deadline for the government’s resignation had come and gone, and the Red shirts had decided to fan out from their central base at Phan Fa bridge, and take their protests out further into the city.

I had met up with Bangkok based Gavin Gough and Penang-based Matt Brandon to go and see what was happening. Armed with a press pass that gave us unfettered access to the Red shirts central location, we were free to wander and take pictures.

I was struck by how nonthreatening the whole event was. It felt like a cross between a carnival and a high school open day. There was a central stage on which, judging by the crowd’s reaction, populist speeches were being made and all the side streets were lined with make-shift tents, under which the thousands of red-shirts lay sheltering from the harsh sunlight.

Everywhere I went I was greeted with smile, offers of drink, food or a place to rest in the shade. I even had a little boogie with an 85-year-old Grandmother, much to the delight of the crowds and my embarrassment. Below is a sideshow of some of the images. Mouse -over the top of the image for the caption.

The most exciting event was when an electrical short-circuit underneath the bridge caused some rubber to catch fire, sending clouds of acrid smoke into the clear blue skies. Typically of course I was at the other end of the street, but both Matt Brandon and Gavin Gough were there (spot the difference now between the professionals and the amateur!!) and there are some images on their blogs worthy of a look.

All in all I was struck by how few people were there – confirmed by Gavin who had been there on the two previous days – and how quiet things were. A great afternoon, but a little light on drama – probably a good thing!

There were reports of two soldiers being injured earlier in the day when a grenade had been thrown into their barracks, and hopefully that it’s the last of the violence.

I am not sure how the Red Shirts intend to effect the change they desire, but if there political philosophy is anything like I experienced – partying, food, drink and lying in the shade – then I may just get interested in politics again!

If Ami’s portfolio is what you are after then visit her website, www.amivitale.com. It would be inappropriate let alone presumptuous for someone of my meager photographic talents to comment on Ami’s photographs. Many far more qualified than I have earmarked her as one of the truly outstanding photographic talents of her generation and I suspect the world is a better place for having someone of Ami’s skill, compassion and empathy using their visual story telling capabilities to help others.

So I am going to tackle this in two parts – the first part is this post about my experience and the process of having 10 of my recent images reviewed by Ami. The second part  - a series of 3-4 shorter posts – will each cover one of the key themes and detailed feedback, together with the ideas and suggestions that Ami gave me – which I think that others on similar “journeys” of photographic discovery may find helpful, re-assuring or even encouraging.

You can read the sequence of posts by clicking these links:
Slowing down with Ami Vitale
Having a reason to be there with Ami Vitale – Review critique Part 2
The science and the art of photography with Ami Vitale – Critique review Part 3
How to make compelling travel images with Ami Vitale – Critique review Part 4

Booking the time with Ami was something that I orchestrated through the website, The Compelling Image for a cost of $160 – which I think is incredible value and, dare I say it given the time I had with Ami and the benefits I gained, is too cheap! For those of you wanting to take an online course in photography, then do look at “The Compelling Image” – they have some truly outstanding professionals providing you with individual tuition, assignments and critiques for a very reasonable price. You can find out more about all of their courses, including the option to have Ami Vitale review your work, at www.thecompellingimage.com.

Anyway back to the review. I have to say it felt pretty nerve racking. Like many photographers I have that weird mix of wanting to share my images so that people can see them, but also nagging self-doubt that they are really good enough. You can imagine therefore my angst at having to submit 10 images to be formally critiqued by someone of Ami’s standard, even though I knew by her reputation that Ami, of all people, would provide incredible objective insight, advice and encouragement.

Ami Vitale Portfolio Review – Images by Marco Ryan

The first challenge was selecting which 10 images to submit. Now that sounds very arrogant – I don’t mean that I had so many great images to chose from that I struggled to sort the “chaff from the wheat”. Far from it. In my case I have so much chaff, that I struggled to find the wheat!  But obviously you want to show both your potential and also perhaps examples of where you are seeking guidance – the aim after all of such a review is to learn from somebody that you respect and whose work you acknowledge as being the type of quality that you aspire to achieve at some stage on your own photographic journey. I was conscious too that the images I selected would of course shape the discussion. Obvious when said like that, but I can’t tell you how long I spent wondering which ones to select – even taking advice from a couple of photography buddies to help me be objective about it! You can see the 10 images that I selected for review in the slideshow above and if you want to browse my other images then you can review those in my gallery.

The mechanics of the review are very straightforward. You select on the “The Compelling Image” website from a range of pre-ordained dates, when you want the review to happen; you pay your money, and on that day, the “course” is enabled for you. Once enabled you upload your images via the TCI website where you also have the opportunity to attach a commentary about each picture – why you had taken it, what you were trying to achieve, what you thought worked and what you thought didn’t etc.

Within hours of enrolling on the course – even though the course was still a few days off – Ami had been in touch by email. She wanted to know my background, my motivations my interests and then she wanted to arrange to have a chat with me via Skype on the day of the course (it is technically a one day course).

Ami could not have been more gracious or delightful. Full of ideas, full of encouragement and full of support, she began by seeking understanding about each image – Why had I chosen to submit this image? What did it mean for me? Why had I composed it that way? What other angles/viewpoints had I considered and why?  How many frames had I shot? How longed had I spent thinking about the image before shooting it? She had clearly prepared thoroughly for our call because as we discussed each image, Ami delivered real insight and the benefit of her extensive experience in identifying what is was that she liked or where there were areas she wanted clarification over.

Some images that I thought were my strongest, she liked, but usually Ami felt that they were missing something, or could have been better! Other images which I just liked, she loved – and for quite different reasons from me. As we went through each of the images, we kept returning to a number of dominant themes, but I am going to save those details and the specific critique for my next post. But at no stage was this dispiriting. Gavin Gough shared with me that “critiquing somebody’s photographs is only slightly less hazardous than offering thoughts on the perceived beauty of their children in my experience. It’s easy to offer praise alone and that’s often what reviewers resort to – or they go to the other end of the scale and pick things apart without offering encouragement”.

I can’t amplify sufficiently how productive, enjoyable and without being too over the top, humbling the whole review process with Ami was. It was just terrific fun. But of course it was also much more than that. It was incredibly focused, balanced between praise and constructive criticism, positive, helpful and motivating. Ami’s great skill is in simplifying things – helping the complex seem straightforward, removing the mental barriers that are blocking your ability to advance, and leaving you more reflective, upbeat and ready to go.  She makes you see things is an uncluttered and objective way, that as soon as she says them just seem so obvious that you kick yourself for making everything that went before so complicated. In just one hour I came away already thinking differently, motivated to just go and try new things and inspired by the opportunities that were now in front of me, yet also aware of what I should not repeat or get frustrated by.

Mentoring at its best, then. In terms of developing my photography I suspect I shall look back on this process as one of those seminal moments where I felt I had made a step change.

Like many who have met or know Ami – even virtually as I did – you realize that you have just spent time with someone very special.  There is an inner calm, a compassion and a genuine warmth in the interest she displays in you and your photographs that is all too rare these days. I too have joined the rapidly increasing Ami Vitale fan base!

Ami has kindly allowed me to share with you her comments and feedback. My next post will cover one of the key themes we discussed, using one of the images together with the comments I made as part of the submission process, and more interestingly, the critique that I received from Ami.

Please help and spread the word by clicking on the share button below, retweeting, facebook updates etc. And if you haven’t already done so, lose yourself for a few hours and get inspired by visiting Ami’s portfolio.